Cannes Film Festival...

It's that time of year again.
George the Cyclist returns to report from the Cannes Film Festival. He rode in on an airplane to Paris early in May and spend a couple weeks biking down 500 miles to Cannes.
The Wind That Shakes the Barley - Ken Loach
From the very start of his latest offering of social realism, Loach maintains a boiling tension and does not relent, as he recounts the brutality the Irish and the English inflicted upon one in the 1920s. Loach could not be more forthright in portraying the horror of the hostilities, as the Irish battled to rid themselves of their English oppressors. About two-thirds of the way into the film, an Irish leader tells his troops after they have ambushed and massacred a truck full of English soldiers, "If they bring their savagery over here we will meet it with a savagery of our own." The film is a non-stop series of vengeful acts. Loach offers little hope for the future of the human race. The film isn't fully satisfying, but Loach always merits viewing and commendation for the subjects he chooses.
Summer Palace - Lou Ye
A film that had yet to be approved by China's censors. I was on alert from Charles [Facets programmer], as one criticism floating around was that this two hour and twenty minute epic following several Chinese students from their college days in l980 to 2000 could be drastically cut. But we were both riveted. The allusions to Tiananmen Square shouldn't upset the Chinese censors too much, but the abundance of sex probably will. The Chinese students were no different than their western counterparts giving into their lusts and being less than monogamous about it. Of the many sexual congresses, all were conventionally missionary until the students left school. Only early on do we see any real happiness and delight in their lives, once reflected as a pair of recent lovers joyfully ride their bikes alongside each other for a prolonged spell. But jealousy and general moroseness takes over their lives. One woman jumps off a building, another is hit head-on by a truck in the rain at night on her bicycle.
No Body is Perfect - Raphael Sibilla [French documentary]
The title and write-up implied this would be about people who weren't satisfied with their bodies, and the extremes they went to improve them. There was a little of that, although not of a cosmetic surgery nature. The body alterations involved tattoos and piercings and mutilations, including one guy who had his member sliced open and another who had nipped the ends off several of his fingers and was willing to do another finger for the camera. "Come back tomorrow after six," he summoned. "I go into shock when I do it. This ought to be filmed." We had to brace ourselves for the next day, but the filmmakers declined to go that far. The bulk of the film, though, was showing the goings-on at sex and swing clubs. The film was seven years in the making, ranging from Rio to Japan. I would have thought they could have found more interesting characters in their search.
Labels: Cannes



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